On this episode we try to sell our listeners on the idea of waiting to see the disappointing film adaptation of Dave Eggers’ novel A HOLOGRAM FOR THE KING with Brian of Movie Hot Take. Fortunately this film inspires a double feature with guest Dwight Hurst of The Broken Brain on men waiting to convince other men on what they are selling, whether it be a not guilty verdict in 12 ANGRY MEN or industrial lubricants in THE BIG KAHUNA.
MULHOLLAND DRIVE is a complex and surreal film directed by David Lynch, known for its non-linear narrative and dreamlike sequences. The ending is open to interpretation and has been the subject of much debate among viewers. Here's a breakdown of the ending: Diane's Dream vs. Reality: Throughout the film, there are two main narrative threads: one follows Betty/Diane's dreamlike experiences in Hollywood, and the other delves into Diane's harsh reality. The ending reveals that the majority of the film has been a dream constructed by Diane Selwyn, a failed actress, as a means to escape the guilt and pain of her actions. Betty/Diane's Descent into Madness: Betty, played by Naomi Watts, represents Diane's idealized self—a hopeful and innocent aspiring actress. However, as the film progresses, it becomes clear that Betty's story is unraveling, and her identity begins to merge with Diane's. This culminates in the revelation that Betty is merely a construct of Di...