FOLLOWING FILMS

Premiering in theaters on December 12th, 2025, Patrick Creadon’s latest documentary turns its lens toward a figure whose influence is woven into the fabric of nearly every modern creative industry—yet whose name remains surprisingly under-recognized. The King of Color chronicles the extraordinary life and legacy of Lawrence Herbert, the inventor of the Pantone Matching System and the man responsible for bringing order to the chaotic world of color reproduction. Now 96 years old, Herbert reflects on a lifetime of innovation in a rare, intimate interview featured throughout the film. Growing up in Depression-era Brooklyn, Herbert entered the print and manufacturing trade at a time when color selection was inconsistent and subjective—an industry-wide problem with costly consequences. His solution was nothing short of revolutionary: a comprehensive, standardized system that could translate color into a universally understood language. The result was the Pantone Matching System (PMS), a too...

Punk Rock Christmas was one of my most anticipated concerts of the year, and it didn't disappoint. Some fans showed up to the venue early, armed with Santa hats, patched jackets, festive mohawks, and enough energy to power a small city. The bill read like a love letter to West Coast punk and ska: Winterhaven, Jen Pop, Urethane, Slick Shoes, Voodoo Glow Skulls, Authority Zero, The Vandals, Face to Face, and finally MxPx closing out the night. What followed was a marathon of melody, mosh pits, and pure holiday chaos—each band bringing their own flavor to a show that delivered nostalgia and new energy in equal measure. Winterhaven: A Warm Opening for a Cool Night Local favorites Winterhaven kicked things off just as the sun dipped below the desert horizon. Their sound—clean, melodic, and full of youthful urgency—was the perfect ignition for the long night ahead. Despite going on early, they drew a solid crowd, many of whom had clearly come specifically to support the hometown scene. T...

Today on the podcast, Chris Maynard sits down with filmmaker Kevin Lewis—yes, that Kevin Lewis, the mad genius who gave us Willy’s Wonderland and cemented his place in modern cult horror. He’s back with a new Southern-Gothic nightmare, Pig Hill, a film that premiered at FrightFest and is now available on VOD courtesy of Cineverse, the folks behind Terrifier 3 and The Toxic Avenger. Pig Hill follows Carrie, played by Rainey Qualley, a young woman obsessed with the eerie legend of the “pig people”—grotesque creatures said to stalk the wooded hills of her rural hometown. As the disappearances of local women reach a chilling tenth victim, Carrie, her brother (Shiloh Fernandez), and their friend Andy (Shane West) begin digging into the folklore… and discover there may be more truth to the stories than anyone wants to believe. So let’s dive into Pig Hill, the filmmaking process, and what keeps Kevin chasing the next nightmare. Pig Hill is available on VOD today—and I’m thrilled to welcome Ke...

The New Yorker has added Extremist, the award-winning short film from writer–director Alexander Molochnikov, to its curated slate of prestige releases. The film is now streaming both on the magazine’s website and on its YouTube channel, accompanied by a newly published interview with Molochnikov. Inspired by the real case of Sasha Skochilenko—a St. Petersburg artist imprisoned for seven years after swapping four grocery-store price tags with anti-war messages—Extremist approaches her story from a more internal, imaginative angle. Instead of recreating events literally, Molochnikov explores the emotional and psychological weight of a seemingly tiny act of dissent at a time when public expression can trigger severe state retaliation. The film uses this small gesture as an entry point into broader questions about conscience, repression, and the cost of refusing to stay silent. Since premiering at the 2025 Telluride Film Festival, Extremist has quickly become a standout on the festival cir...

The first time anyone in Binger County heard the phrase “tourism initiative,” they assumed it meant another mural, maybe a sunflower festival, or, at most, a modest water tower repaint. No one expected the Lamp. It appeared first as a rumor: a whisper drifting down the aisles of Ozzie’s Hardware, caught between the feed sacks and the impulse-buy screwdrivers. Did you hear? Chickasha’s going to build a giant leg lamp. Like the one from the movie. But bigger. Way bigger. By the time the city council agenda went public, the Lamp had grown in the telling, from fifteen feet to thirty, then forty, before settling at an improbable, structurally questionable fifty. A fiberglass monument to kitsch. A glowing testament to the town’s new, maybe misguided ambition. The night of the vote, the council chambers filled with the kind of crowd usually reserved for bond issues or controversial playground shade structures. Retirees clutched printouts from the internet; teenagers filmed on their phones; th...

Altitude is set to bring one of next year’s most talked-about horror films straight into living rooms, with SHELBY OAKS arriving on DVD, Blu-ray, and Digital on 15 December. The film, already building a devoted following long before its wide release, marks the feature debut of filmmaker and longtime genre commentator Chris Stuckmann, whose transition from critic to creator has been watched with intense curiosity by horror fans. At the centre of the story is a woman tortured by the disappearance of her sister—an absence that has shaped her life and, increasingly, her sanity. As she digs deeper into old memories and abandoned leads, she becomes convinced that the malevolent figure they once blamed for childhood nightmares might not have been imaginary at all. What begins as a search for answers spirals into a feverish fixation, blurring the line between trauma and the supernatural. Led by performances from Camille Sullivan, Brendan Sexton III, and Michael Beach, the film has already draw...

From Director Johnny Ma and EP Pablo Larraín comes THE MOTHER AND THE BEAR, a tender, off-beat dramedy about a mother, a daughter, and the chaotic, sometimes absurd ways we try to protect the people we love. The film, which premiered in the Centrepiece section of the 2024 Toronto International Film Festival, arrives with the support of multi–Oscar nominee Pablo Larraín, whose taste for emotionally sharp, character-driven stories is an ideal match for Johnny Ma’s sensibility. The film centers on Sara, played by acclaimed Korean actress Kim Ho-jung, who rushes from Seoul to icy Winnipeg after her 26-year-old daughter Sumi is left comatose following an accident. Faced with the terrifying possibility of an uncertain recovery, Sara channels her fear into a misguided mission: finding her daughter a future husband—preferably Korean—before she wakes up. Her tool of choice is a dating app, where she catfishes on Sumi’s behalf, stumbling into awkward, funny, and unexpectedly moving encounters. A...

Holiday shoppers scanning the crowds this season may notice more than discounted gadgets and glittering storefronts—there’s a sinister buzz building around Silent Night, Deadly Night, the new theatrical horror arriving December 12. Tickets have officially gone on sale, and early promotions are turning Black Friday and Cyber Monday into a blood-red countdown to release day. With Fandango offering limited-time buy-one-get-one tickets and a fresh preview clip stirring up fan chatter, the film is positioning itself as winter’s most chaotic night at the movies. The latest incarnation of the cult franchise comes from filmmaker Mike P. Nelson, who writes and directs a new story that revisits the chilling legacy of Billy, a traumatized boy who grows into a holiday-season executioner. Nelson’s take leans into tragedy as much as terror—violence is inevitable, but for the first time, someone might try to pull Billy back from the brink. Rather than simply revive the original film’s shock value, th...

Eugene Jarecki’s The Six Billion Dollar Man arrives at a moment when journalism and institutional power feel more volatile than ever. Premiering as a Special Screening at the 2025 Cannes Film Festival, the documentary turns its focus toward Julian Assange, spotlighting his release in 2024 and revisiting a story the world has debated for more than a decade. Rather than treating Assange as a historical figure, the film places him firmly in the present, arguing that the stakes surrounding his case are not resolved but escalating.  Jarecki’s approach is expansive and global. The documentary was filmed across multiple regions, tracing the arc of WikiLeaks from its early revelations to the years that followed—years marked by court battles, diplomatic standoffs, constant surveillance, and attempts by various governments to control the narrative. The film incorporates firsthand accounts from journalists, attorneys, public officials, activists, and individuals who interacted with Assange di...