On this episode we are just three dudes, looking for some man on man action in a sub. And we get plenty of that with a triple feature inspired by the new video release BLACK SEA with a submarine battle between two classics in THE HUNT FOR RED OCTOBER and CRIMSON TIDE. We also give our listeners a glimpse of the process to our movie selection and how ROLLERBALL (the Chris Klein version) will be discussed on another podcast.
MULHOLLAND DRIVE is a complex and surreal film directed by David Lynch, known for its non-linear narrative and dreamlike sequences. The ending is open to interpretation and has been the subject of much debate among viewers. Here's a breakdown of the ending: Diane's Dream vs. Reality: Throughout the film, there are two main narrative threads: one follows Betty/Diane's dreamlike experiences in Hollywood, and the other delves into Diane's harsh reality. The ending reveals that the majority of the film has been a dream constructed by Diane Selwyn, a failed actress, as a means to escape the guilt and pain of her actions. Betty/Diane's Descent into Madness: Betty, played by Naomi Watts, represents Diane's idealized self—a hopeful and innocent aspiring actress. However, as the film progresses, it becomes clear that Betty's story is unraveling, and her identity begins to merge with Diane's. This culminates in the revelation that Betty is merely a construct of Di...