We struggle to put on a podcast production every week, so we have great sympathy for a group of films about putting on a production. On this episode we try to set aside bitter feelings about SHAKESPEARE IN LOVE winning the 1998 Academy Award for Best Picture in its battle with Richard Linklater's ME AND ORSON WELLES. These two films have been inspired by the great new documentary BALLET 422, and director Jody Lee Lipes was kind enough to join us to talk about his new film.
MULHOLLAND DRIVE is a complex and surreal film directed by David Lynch, known for its non-linear narrative and dreamlike sequences. The ending is open to interpretation and has been the subject of much debate among viewers. Here's a breakdown of the ending: Diane's Dream vs. Reality: Throughout the film, there are two main narrative threads: one follows Betty/Diane's dreamlike experiences in Hollywood, and the other delves into Diane's harsh reality. The ending reveals that the majority of the film has been a dream constructed by Diane Selwyn, a failed actress, as a means to escape the guilt and pain of her actions. Betty/Diane's Descent into Madness: Betty, played by Naomi Watts, represents Diane's idealized self—a hopeful and innocent aspiring actress. However, as the film progresses, it becomes clear that Betty's story is unraveling, and her identity begins to merge with Diane's. This culminates in the revelation that Betty is merely a construct of Di...