On this episode we look at a comic book writer's universe of creator-owned material making its way to the silver screen with varying degrees of success. We are not talking about Alan Moore (of course), because we said SUCCESSFUL film adaptation, so instead let's move down a few tiers to Mark Millar with the adaptations of WANTED and KICK-ASS battling it out like a good comic book crossover. This is inspired by the new to video KINGSMAN: THE SECRET SERVICE, and Bubbawheat from the sites Flights, Tights, and Movie Nights & Channel: Superhero will team up with us to choose a winner.
MULHOLLAND DRIVE is a complex and surreal film directed by David Lynch, known for its non-linear narrative and dreamlike sequences. The ending is open to interpretation and has been the subject of much debate among viewers. Here's a breakdown of the ending: Diane's Dream vs. Reality: Throughout the film, there are two main narrative threads: one follows Betty/Diane's dreamlike experiences in Hollywood, and the other delves into Diane's harsh reality. The ending reveals that the majority of the film has been a dream constructed by Diane Selwyn, a failed actress, as a means to escape the guilt and pain of her actions. Betty/Diane's Descent into Madness: Betty, played by Naomi Watts, represents Diane's idealized self—a hopeful and innocent aspiring actress. However, as the film progresses, it becomes clear that Betty's story is unraveling, and her identity begins to merge with Diane's. This culminates in the revelation that Betty is merely a construct of Di...