On this episode we present part two of our MAMO themed week, which is a great podcast that recently celebrated its tenth year. Last time we had Matt Brown on the show to talk superhero reboots, this time it's the other half of MAMO in Matthew Price who joins us for a theme of keeping murder in the family with two horror classics: PSYCHO and HALLOWEEN. You can find more from Mr. Price on this genre by checking out his other podcast, the aptly titled Let's Scare Matthew Price to Death. But first, we discuss the inspiration for this particular battle of the horror titans, the second Gillian Flynn big screen adaptation in DARK PLACES.
MULHOLLAND DRIVE is a complex and surreal film directed by David Lynch, known for its non-linear narrative and dreamlike sequences. The ending is open to interpretation and has been the subject of much debate among viewers. Here's a breakdown of the ending: Diane's Dream vs. Reality: Throughout the film, there are two main narrative threads: one follows Betty/Diane's dreamlike experiences in Hollywood, and the other delves into Diane's harsh reality. The ending reveals that the majority of the film has been a dream constructed by Diane Selwyn, a failed actress, as a means to escape the guilt and pain of her actions. Betty/Diane's Descent into Madness: Betty, played by Naomi Watts, represents Diane's idealized self—a hopeful and innocent aspiring actress. However, as the film progresses, it becomes clear that Betty's story is unraveling, and her identity begins to merge with Diane's. This culminates in the revelation that Betty is merely a construct of Di...