On this episode we go stay with some old people in a pair of horror films. BURNT OFFERINGS has us hosted by Karen Black, Oliver Reed, and Bette Davis as a family gets the deal of a lifetime with very cheap rent for a huge estate, with the catch being that they have to care for an elderly and extremely private woman in the attic. In the more recent THE SKELETON KEY, Kate Hudson's job as a caregiver sends her to the swamps of Louisiana as John Hurt plays a man who has suffered a stroke... and may be suffering in silence under the watchful eye of his creepy wife. This visit with creepy old folks in creepy old houses has been inspired by fallen director M. Night Shyamalan's new film, THE VISIT.
MULHOLLAND DRIVE is a complex and surreal film directed by David Lynch, known for its non-linear narrative and dreamlike sequences. The ending is open to interpretation and has been the subject of much debate among viewers. Here's a breakdown of the ending: Diane's Dream vs. Reality: Throughout the film, there are two main narrative threads: one follows Betty/Diane's dreamlike experiences in Hollywood, and the other delves into Diane's harsh reality. The ending reveals that the majority of the film has been a dream constructed by Diane Selwyn, a failed actress, as a means to escape the guilt and pain of her actions. Betty/Diane's Descent into Madness: Betty, played by Naomi Watts, represents Diane's idealized self—a hopeful and innocent aspiring actress. However, as the film progresses, it becomes clear that Betty's story is unraveling, and her identity begins to merge with Diane's. This culminates in the revelation that Betty is merely a construct of Di...