On this episode we are joined by Matt and Ed from the podcast Shot Reverse Shot as we attempt to win the war on drugs, by watching the reviled Steven Soderbergh movie TRAFFIC and the classic Ridley Scott film THE COUNSELOR. And yes, this is shameless trolling in the hopes that you’ll keep listening to a movie podcast on THE COUNSELOR.
But before that mess of a movie we have one of the few great films of 2015, and a conversation with Dave from Pop Culture Case Study on new release SICARIO.
MULHOLLAND DRIVE is a complex and surreal film directed by David Lynch, known for its non-linear narrative and dreamlike sequences. The ending is open to interpretation and has been the subject of much debate among viewers. Here's a breakdown of the ending: Diane's Dream vs. Reality: Throughout the film, there are two main narrative threads: one follows Betty/Diane's dreamlike experiences in Hollywood, and the other delves into Diane's harsh reality. The ending reveals that the majority of the film has been a dream constructed by Diane Selwyn, a failed actress, as a means to escape the guilt and pain of her actions. Betty/Diane's Descent into Madness: Betty, played by Naomi Watts, represents Diane's idealized self—a hopeful and innocent aspiring actress. However, as the film progresses, it becomes clear that Betty's story is unraveling, and her identity begins to merge with Diane's. This culminates in the revelation that Betty is merely a construct of Di...