On this episode we are joined by Tom from the podcast Second Class Cinema as we work to a decision on two workplace comedies: IN GOOD COMPANY and THE INTERNSHIP. In the former, a young, inexperienced Topher Grace becomes Dennis Quaid's boss, and in the latter Vince Vaughn and Owen Wilson find themselves over their heads with their young, tech-savvy fellow interns at Google. Our own battle of old vs. young has been inspired by the new Nancy Meyers comedy THE INTERN, and Hadas of Common Room is hired on for her insight into the film.
MULHOLLAND DRIVE is a complex and surreal film directed by David Lynch, known for its non-linear narrative and dreamlike sequences. The ending is open to interpretation and has been the subject of much debate among viewers. Here's a breakdown of the ending: Diane's Dream vs. Reality: Throughout the film, there are two main narrative threads: one follows Betty/Diane's dreamlike experiences in Hollywood, and the other delves into Diane's harsh reality. The ending reveals that the majority of the film has been a dream constructed by Diane Selwyn, a failed actress, as a means to escape the guilt and pain of her actions. Betty/Diane's Descent into Madness: Betty, played by Naomi Watts, represents Diane's idealized self—a hopeful and innocent aspiring actress. However, as the film progresses, it becomes clear that Betty's story is unraveling, and her identity begins to merge with Diane's. This culminates in the revelation that Betty is merely a construct of Di...