In this episode the original hosts of the show, Mike and Peter, are back just in time for an alien invasion involving Keanue Reeves and placenta armor. But before we get to Scott Derrickson's 2008 remake, a look back at the original Cold War era film from 1951 when Gort robots could bend their knees and could predict the future heroic quests of a man with a chainsaw for a hand. Then we predict a newer version of this film which involves The Chastain. Then again that's our hope for every future remake.
MULHOLLAND DRIVE is a complex and surreal film directed by David Lynch, known for its non-linear narrative and dreamlike sequences. The ending is open to interpretation and has been the subject of much debate among viewers. Here's a breakdown of the ending: Diane's Dream vs. Reality: Throughout the film, there are two main narrative threads: one follows Betty/Diane's dreamlike experiences in Hollywood, and the other delves into Diane's harsh reality. The ending reveals that the majority of the film has been a dream constructed by Diane Selwyn, a failed actress, as a means to escape the guilt and pain of her actions. Betty/Diane's Descent into Madness: Betty, played by Naomi Watts, represents Diane's idealized self—a hopeful and innocent aspiring actress. However, as the film progresses, it becomes clear that Betty's story is unraveling, and her identity begins to merge with Diane's. This culminates in the revelation that Betty is merely a construct of Di...