War Machine vs. War Horse: Hidden Figures (The Remains of the Day vs. Fences)

On this episode we celebrate the Best Picture Oscar nomination for HIDDEN FIGURES and more importantly the power of cinema to bring attention to people cast aside by history. In our selected double feature we look at two other characters who stand beside history through choices they make and choices that they are not given. In THE REMAINS OF THE DAY Anthony Hopkins gives himself completely to his role as a butler to a man conspiring with Nazis, removing any trace of personal belief in politics or the pursuit of love for Emma Thompson. And in another 2016 Best Picture nominee, FENCES, Denzel Washington takes out the limited options of his professional life in 1950s Pittsburgh on his son and wife.

ALSO: Kristen Lopez of Journeys In Classic Film joins the podcast to discuss the changing audience reaction to melodrama.

Twitter/Instagram/Letterboxd: @warmachinehorse

POPULATION PURGE Trailer and Release Info

In a dystopian world where a radical government has unleashed a deadly poison to control population, only those with blood type AB positive remain unscathed. But instead of outright death, the rest of the population is left to suffer in a state of chronic illness, causing widespread chaos and panic. As the majority slowly succumbs to the effects of the poison, their only hope lies in receiving transfusions of AB positive blood from the few immune survivors, like Charlie and his granddaughter Maya. Living in the decrepit remains of an abandoned amusement park, Charlie is a renegade supplier of blood to the underground market. But their sanctuary is threatened by the iron-fisted rule of District 22's ruthless warden, Onslow, who will stop at nothing to save his own dying son. As Charlie and Maya fight to defend their haven and their own sanity, the eccentric duo must navigate through a world of danger and betrayal. POPULATION PURGE was written by Brian Johnson and Toby Osborne and di...

A SACRIFICE Trailer and Release Info

Written and Directed by Jordan Scott Produced by Ridley Scott, Michael Pruss, Jonas Katzenstein, Maximilian Leo, Georgina Pope Starring Eric Bana, Sadie Sink, and Sylvia Hoeks A Sacrifice is an emotionally turbulent story that follows American social psychologist Ben Monroe (Eric Bana) who is investigating a local Berlin cult connected to disturbing events. While he immerses himself in his work, his rebellious teenage daughter, Mazzy (Sadie Sink), becomes embroiled with a mysterious local boy who introduces her to the city’s underground party scene. As their two worlds head toward a dangerous intersection, Ben will need to race against the clock in order to save his daughter. A SACRIFICE will be in theaters on June 28th, 2024

MULHOLLAND DRIVE Ending Explained

MULHOLLAND DRIVE is a complex and surreal film directed by David Lynch, known for its non-linear narrative and dreamlike sequences. The ending is open to interpretation and has been the subject of much debate among viewers. Here's a breakdown of the ending: Diane's Dream vs. Reality: Throughout the film, there are two main narrative threads: one follows Betty/Diane's dreamlike experiences in Hollywood, and the other delves into Diane's harsh reality. The ending reveals that the majority of the film has been a dream constructed by Diane Selwyn, a failed actress, as a means to escape the guilt and pain of her actions. Betty/Diane's Descent into Madness: Betty, played by Naomi Watts, represents Diane's idealized self—a hopeful and innocent aspiring actress. However, as the film progresses, it becomes clear that Betty's story is unraveling, and her identity begins to merge with Diane's. This culminates in the revelation that Betty is merely a construct of Di...

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