Being mostly unsatisfied with the weekly reboot and clones that Hollywood presents us every week we head to space to find our own in two older films: Duncan Jones' MOON from 2009 and Joseph Kosinski's OBLIVION from 2013. Can multiple Sam Rockwells take on the star power of Tom Cruise? Which A.I. do we want to take orders from, Kevin Spacey or Melissa Leo? And is there something to be appreciated in a copy? We certainly hope so on that last question as that's the premise of this podcast.
MULHOLLAND DRIVE is a complex and surreal film directed by David Lynch, known for its non-linear narrative and dreamlike sequences. The ending is open to interpretation and has been the subject of much debate among viewers. Here's a breakdown of the ending: Diane's Dream vs. Reality: Throughout the film, there are two main narrative threads: one follows Betty/Diane's dreamlike experiences in Hollywood, and the other delves into Diane's harsh reality. The ending reveals that the majority of the film has been a dream constructed by Diane Selwyn, a failed actress, as a means to escape the guilt and pain of her actions. Betty/Diane's Descent into Madness: Betty, played by Naomi Watts, represents Diane's idealized self—a hopeful and innocent aspiring actress. However, as the film progresses, it becomes clear that Betty's story is unraveling, and her identity begins to merge with Diane's. This culminates in the revelation that Betty is merely a construct of Di...