Skip to main content

LA FILM FESTIVAL ANNOUNCES WINNERS plus FREE LICENSES of DANNY ELFMAN's RABBIT AND ROGUE to Filmmakers

Image
By


The U.S. Fiction Award went to Elizabeth Rohrbaugh and Daniel Powell for Becks, which made its World Premiere at the Festival. The U.S. Fiction Cinematography Award presented by Aputure went to cinematographers Christian Sorensen Hansen and Pete Ohs for Everything Beautiful is Far Away, which made its World Premiere at the Festival. Jury Members: Duncan Birmingham, Riley Stearns and Emily Ting.

The World Fiction Award went to Diego Ros for The Night Guard (El Vigilante), which made its North American Premiere at the Festival. Jury Members: Caroline Graham, Lincoln Jones and Javier Fuentes-León.

The Documentary Award went to Amanda Kopp and Aaron Kopp for Liyana, which made its World Premiere at the Festival. Jury Members: Katherine Fairfax-Wright, Paul Federbush and Matt Holzman.

The LA Muse Awards were given to two films, one fiction and one documentary. The LA Muse Documentary Award went to Mark Hayes for Skid Row Marathon, which made its World Premiere at the Festival. The LA Muse Fiction Award went to Savannah Bloch for And Then There Was Eve, which made its World Premiere at the Festival.  Jury Members: Susan Burke, Juan Iglesias and Kimrie Lewis-Davis.

The Nightfall Award went to Amanda Evans for Serpent, which made its World Premiere at the Festival. Jury Members: Jimmy Tsai, Clarke Wolfe and Andrew Curry.

The Award for Short Fiction went to A Funeral for Lightning, directed by Emily Kai Bock. The Award for Short Documentary went to Black America Again, directed by Bradford Young. Jury Members: Kim Adelman, Jonni Cheatwood and Naomi Ladizinsky.

The Audience Award for Documentary Feature Film was given to Skid Row Marathon, directed by Mark Hayes.

The Audience Award for Fiction Feature Film went to The Keeping Hours, directed by Karen Moncrieff.

The Audience Award for Short Film went to Swim directed by Mari Walker.  The Audience Award for Web Series went to High & Mighty, directed by Carlos Lopez Estrada.

Announced earlier were the winners of The Danny Elfman Project: Rabbit and Rogue competition:

13, Justine Quinones
The Bridge, Matt Eckholm
Dandelion, Catherine Fauteux
A Day for Manuel, JB Minerva
Gamelan, Cornelia Nicolăeasa
A Glory Sewn, Travis Dixon
Lakesong, Douglas Gibbens & Konstantina Mantelos
Natural Promotion, Sean Oliver
Urge, Pieter Coudyzer

Elfman offered free licenses of his Rabbit and Rogue album to filmmakers on indi.com as the catalyst and soundtracks to their short films.  The winning films screened at the Festival. The jury was comprised of Gus Van Sant, McG, Rob Minkoff, Sam Taylor-Johnson, Paul Haggis and Suzanne Todd.

The LA Film Festival kicked off on Wednesday, June 14 with the World Premiere of Colin Trevorrow’s The Book of Henry and will close later today with the LA Premiere of Matt Spicer’s Ingrid Goes West. Special Screenings included Sofia Coppola’s The Beguiled, Ric Roman Waugh’s Shot Caller, Dave McCary’s Brigsby Bear and featured conversations with Fred Armisen and Carrie Brownstein of Portlandia, Ava DuVernay, Amanda Marsalis, DeMane Davis, Kat Candler and Cheryl Dunye of Queen Sugar to list but a few of the events this year. The Festival also celebrated producer Nina Yang Bongiovi (Roxanne Roxanne, Songs My Brothers Taught Me, Fruitvale Station, Dope) at the Women Who Lead Luncheon.

The Festival’s five competitions featured 37 World Premieres, 2 International Premieres and 9 North American Premieres. Across the competition categories 42% of the films are directed by women and 40% are directed by people of color.
Labels:

Popular posts from this blog

POPULATION PURGE Trailer and Release Info

By
In a dystopian world where a radical government has unleashed a deadly poison to control population, only those with blood type AB positive remain unscathed. But instead of outright death, the rest of the population is left to suffer in a state of chronic illness, causing widespread chaos and panic. As the majority slowly succumbs to the effects of the poison, their only hope lies in receiving transfusions of AB positive blood from the few immune survivors, like Charlie and his granddaughter Maya. Living in the decrepit remains of an abandoned amusement park, Charlie is a renegade supplier of blood to the underground market. But their sanctuary is threatened by the iron-fisted rule of District 22's ruthless warden, Onslow, who will stop at nothing to save his own dying son. As Charlie and Maya fight to defend their haven and their own sanity, the eccentric duo must navigate through a world of danger and betrayal. POPULATION PURGE was written by Brian Johnson and Toby Osborne and di...
Read More

A SACRIFICE Trailer and Release Info

By
Written and Directed by Jordan Scott Produced by Ridley Scott, Michael Pruss, Jonas Katzenstein, Maximilian Leo, Georgina Pope Starring Eric Bana, Sadie Sink, and Sylvia Hoeks A Sacrifice is an emotionally turbulent story that follows American social psychologist Ben Monroe (Eric Bana) who is investigating a local Berlin cult connected to disturbing events. While he immerses himself in his work, his rebellious teenage daughter, Mazzy (Sadie Sink), becomes embroiled with a mysterious local boy who introduces her to the city’s underground party scene. As their two worlds head toward a dangerous intersection, Ben will need to race against the clock in order to save his daughter. A SACRIFICE will be in theaters on June 28th, 2024
Read More

MULHOLLAND DRIVE Ending Explained

By
MULHOLLAND DRIVE is a complex and surreal film directed by David Lynch, known for its non-linear narrative and dreamlike sequences. The ending is open to interpretation and has been the subject of much debate among viewers. Here's a breakdown of the ending: Diane's Dream vs. Reality: Throughout the film, there are two main narrative threads: one follows Betty/Diane's dreamlike experiences in Hollywood, and the other delves into Diane's harsh reality. The ending reveals that the majority of the film has been a dream constructed by Diane Selwyn, a failed actress, as a means to escape the guilt and pain of her actions. Betty/Diane's Descent into Madness: Betty, played by Naomi Watts, represents Diane's idealized self—a hopeful and innocent aspiring actress. However, as the film progresses, it becomes clear that Betty's story is unraveling, and her identity begins to merge with Diane's. This culminates in the revelation that Betty is merely a construct of Di...
Read More