Back for her second straight episode Amanda Iman from Amanda Picture Show A Go Go and Culture Pop A Go Go discusses the highs and lows of seeing con men get conned in our episode inspired by Sofia Coppola's latest film THE BEGUILED. For the double feature we travel back to the more innocent (?) times of Neil Labute's IN THE COMPANY OF MEN, which without a single murder is more unpleasant than the surprisingly sweet JACKIE BROWN from Quentin Tarantino. Join us as we plot a happily ever after for Pam Grier and Robert Forster and not-so-much for Aaron Eckhart's character of Chad.
MULHOLLAND DRIVE is a complex and surreal film directed by David Lynch, known for its non-linear narrative and dreamlike sequences. The ending is open to interpretation and has been the subject of much debate among viewers. Here's a breakdown of the ending: Diane's Dream vs. Reality: Throughout the film, there are two main narrative threads: one follows Betty/Diane's dreamlike experiences in Hollywood, and the other delves into Diane's harsh reality. The ending reveals that the majority of the film has been a dream constructed by Diane Selwyn, a failed actress, as a means to escape the guilt and pain of her actions. Betty/Diane's Descent into Madness: Betty, played by Naomi Watts, represents Diane's idealized self—a hopeful and innocent aspiring actress. However, as the film progresses, it becomes clear that Betty's story is unraveling, and her identity begins to merge with Diane's. This culminates in the revelation that Betty is merely a construct of Di...