Guest Andrew of AB Film Review & The Last New Wave joins the podcast to experience first contact multiple times as we continue to feature favorite films from our guests. On this episode we learn that ANOTHER EARTH does not earn that distinction from our Australian friend, but he shares a passion for Steven Spielberg's CLOSE ENCOUNTERS OF THE THIRD KIND, which celebrated a 40th anniversary re-release this year. Along the way we also make time to question the existence of God when Jake Busey exists, which is the main takeaway from the Robert Zemeckis adaptation of Carl Sagan's CONTACT... right?
MULHOLLAND DRIVE is a complex and surreal film directed by David Lynch, known for its non-linear narrative and dreamlike sequences. The ending is open to interpretation and has been the subject of much debate among viewers. Here's a breakdown of the ending: Diane's Dream vs. Reality: Throughout the film, there are two main narrative threads: one follows Betty/Diane's dreamlike experiences in Hollywood, and the other delves into Diane's harsh reality. The ending reveals that the majority of the film has been a dream constructed by Diane Selwyn, a failed actress, as a means to escape the guilt and pain of her actions. Betty/Diane's Descent into Madness: Betty, played by Naomi Watts, represents Diane's idealized self—a hopeful and innocent aspiring actress. However, as the film progresses, it becomes clear that Betty's story is unraveling, and her identity begins to merge with Diane's. This culminates in the revelation that Betty is merely a construct of Di...