On this episode we expand the definition of family films with two personal favorites in ADDAMS FAMILY VALUES and WE BOUGHT A ZOO. Guest Ben Zuk and your host have threatened to feature these two films for quite some time, and last year's release of THE COMMUNE (now available on Hulu) gave us somewhat of an excuse to do so. Hopefully we can change some hearts and minds to appreciate some of Cameron Crowe's best work, but failing that check out our new podcast launching this week: 99 from 99. A movie podcast that presents 99 episodes on the films from 1999.
MULHOLLAND DRIVE is a complex and surreal film directed by David Lynch, known for its non-linear narrative and dreamlike sequences. The ending is open to interpretation and has been the subject of much debate among viewers. Here's a breakdown of the ending: Diane's Dream vs. Reality: Throughout the film, there are two main narrative threads: one follows Betty/Diane's dreamlike experiences in Hollywood, and the other delves into Diane's harsh reality. The ending reveals that the majority of the film has been a dream constructed by Diane Selwyn, a failed actress, as a means to escape the guilt and pain of her actions. Betty/Diane's Descent into Madness: Betty, played by Naomi Watts, represents Diane's idealized self—a hopeful and innocent aspiring actress. However, as the film progresses, it becomes clear that Betty's story is unraveling, and her identity begins to merge with Diane's. This culminates in the revelation that Betty is merely a construct of Di...