Among the employees at The White Lotus are the fastidious resort manager Armond (Murray Bartlett), who, after a sudden trauma, begins a dramatic downward spiral - and the down-to-earth spa manager, Belinda (Natasha Rothwell) who gets taken on an emotional roller coaster ride by a needy guest. The vacationers include the Mossbacher family – Nicole (Connie Britton), a successful type-A exec, who can’t help but treat her family like disobedient employees; her husband, Mark (Steve Zahn), dealing with both an embarrassing health crisis and a terminal inferiority complex; their teenaged son, Quinn (Fred Hechinger), a socially awkward gamer, experiencing the wonder of nature for the very first time; their daughter, Olivia (Sydney Sweeney), and her friend, Paula (Brittany O’Grady), sharp-tongued college sophomores who cast a sardonic eye on the lifestyles and belief systems of everyone around them. The handsome, entitled Shane Patton (Jake Lacy) is here with his beautiful bride, Rachel (Alexandra Daddario). Shane and Rachel are in the throes of young love, but as they get to know each other better in this new, intimate environment, clouds of doubt appear – and by the time Shane’s intrusive mother, Kitty (Molly Shannon) surprises them with an unwelcome visit, their fairytale honeymoon has begun to unravel. And finally, there is Tanya McQuoid (Jennifer Coolidge), a wealthy, unstable woman, recovering from the death of her mother, traveling alone to the hotel, looking for love and in desperate need of a massage.
MULHOLLAND DRIVE is a complex and surreal film directed by David Lynch, known for its non-linear narrative and dreamlike sequences. The ending is open to interpretation and has been the subject of much debate among viewers. Here's a breakdown of the ending: Diane's Dream vs. Reality: Throughout the film, there are two main narrative threads: one follows Betty/Diane's dreamlike experiences in Hollywood, and the other delves into Diane's harsh reality. The ending reveals that the majority of the film has been a dream constructed by Diane Selwyn, a failed actress, as a means to escape the guilt and pain of her actions. Betty/Diane's Descent into Madness: Betty, played by Naomi Watts, represents Diane's idealized self—a hopeful and innocent aspiring actress. However, as the film progresses, it becomes clear that Betty's story is unraveling, and her identity begins to merge with Diane's. This culminates in the revelation that Betty is merely a construct of Di...