Cinematic Sorceress - The Films of Nina Menkes Available Feb 7

Over the past 30 years “cinematic sorceress” Nina Menkes has produced a visually stunning and uncompromising body of work that stands alone in the landscape of American Independent cinema. Beginning with a quartet of films — The Great Sadness of Zohara (1983), Magdalena Viraga (1986), Queen of Diamonds (1991) and The Bloody Child (1996) — that Menkes produced, wrote, directed, and shot, all of which star her sister and early muse Tinka Menkes, and concluding with a pair of surreal black and white psychodramas — Phantom Love (2007) and Dissolution (2010) — “Cinematic Sorceress: The Films of Nina Menkes” is a comprehensive survey of one of the most essential filmmakers working today.

Fearlessly confronting violence, female subjectivity and isolation in iconically lensed locales ranging from the American Southwest to Israel and North Africa, Menkes work only becomes more vital and relevant with the passage of time. Arbelos is proud to present The Great Sadness of Zohara and Magdalena Viraga in new 2K restorations, Queen of Diamonds and The Bloody Child in new 4K restorations courtesy of the The Academy Film Archive and The Film Foundation, with funding provided by the Hobson/Lucas Family Foundation and Phantom Love in a newly remastered version. Magdalena Viraga and Queen of Diamonds are co-presented with Eos World Fund.

Comprehensive Blu-Ray Box Set Features New Restorations of Menkes' Trailblazing Narrative Works

Titles include: THE GREAT SADNESS OF ZOHARA (1983), MAGDALENA VIRAGA (1986), QUEEN OF DIAMONDS (1991), THE BLOODY CHILD (1996), PHANTOM LOVE (2007), and DISSOLUTION (2012)

Now Available for Pre-Sale, With Physical Copies Available February 7

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MULHOLLAND DRIVE Ending Explained

MULHOLLAND DRIVE is a complex and surreal film directed by David Lynch, known for its non-linear narrative and dreamlike sequences. The ending is open to interpretation and has been the subject of much debate among viewers. Here's a breakdown of the ending: Diane's Dream vs. Reality: Throughout the film, there are two main narrative threads: one follows Betty/Diane's dreamlike experiences in Hollywood, and the other delves into Diane's harsh reality. The ending reveals that the majority of the film has been a dream constructed by Diane Selwyn, a failed actress, as a means to escape the guilt and pain of her actions. Betty/Diane's Descent into Madness: Betty, played by Naomi Watts, represents Diane's idealized self—a hopeful and innocent aspiring actress. However, as the film progresses, it becomes clear that Betty's story is unraveling, and her identity begins to merge with Diane's. This culminates in the revelation that Betty is merely a construct of Di...

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