Released in 1980 and directed by Paul Schrader, American Gigolo is a defining neo-noir film that left a significant impact on Hollywood. It explores themes of isolation, materialism, and moral ambiguity. Starring Richard Gere in the lead role, the film presents a gripping story of a male escort entangled in the world of the elite, only to find himself implicated in a murder case. With its sleek visuals, thought-provoking narrative, and an iconic soundtrack by Giorgio Moroder featuring Blondie’s Call Me, American Gigolo remains an essential piece of 1980s cinema.
The film centers on Julian Kaye (Richard Gere), a high-class male escort in Los Angeles who caters to wealthy clients. Julian embodies sophistication and confidence, carefully curating his image and lifestyle. However, his existence is upended when he becomes a prime suspect in a brutal murder. As he fights to prove his innocence, he confronts the reality of his profession and the superficiality of his relationships.
At its core, American Gigolo examines the commodification of intimacy in a consumer-driven society. Julian’s profession exemplifies the transactional nature of relationships, reflecting the broader cultural landscape of the era. While he initially thrives in a world of luxury and exclusivity, he soon realizes how easily disposable he is when trouble arises. The film also delves into themes of identity, control, and the search for authenticity in a world driven by appearances.
Richard Gere’s portrayal of Julian Kaye is a defining element of the film. He seamlessly blends charm with an underlying vulnerability, creating a character that is both captivating and deeply human. Gere’s nuanced performance conveys Julian’s struggle between confidence and insecurity, making his journey all the more compelling. American Gigolo not only solidified Gere’s reputation as a leading man but also showcased his ability to bring depth to a character caught between power and helplessness.
Paul Schrader’s direction elevates American Gigolo beyond a standard crime drama, bringing a sense of visual elegance to the film. Cinematographer John Bailey’s use of cool tones and sleek compositions mirrors Julian’s detachment from genuine emotional connections. The portrayal of Los Angeles as both glamorous and isolating enhances the film’s underlying themes of loneliness and disillusionment.
Schrader, known for writing Taxi Driver, crafts another introspective character study in American Gigolo. Like Travis Bickle, Julian exists on the fringes of society, though his conflict is more about external validation than internal turmoil. The film’s measured pacing allows for contemplative moments that add to its emotional weight. Through Schrader’s lens, American Gigolo becomes both a stylish visual experience and a reflection on the cost of a superficial lifestyle.
The film’s soundtrack is integral to its atmosphere, particularly Giorgio Moroder’s electronic score. The opening sequence, accompanied by Blondie’s Call Me, is an unforgettable cinematic moment that perfectly sets the tone for Julian’s world. The pulsating beats and synthesizers enhance the film’s sleek and hypnotic quality, reinforcing its status as a quintessential 1980s film. Moroder’s music not only enriches the film’s mood but also encapsulates the transition from disco to the electronic sounds that defined the decade.
American Gigolo played a key role in shaping Hollywood’s portrayal of male sexuality and desire. Unlike earlier films, which rarely explored the complexities of male escorts, Schrader’s film presents Julian as both desirable and emotionally vulnerable, challenging traditional gender dynamics.
The film’s impact extends beyond its narrative, influencing later works such as American Psycho and Drive, which also feature protagonists who are simultaneously magnetic and detached. Additionally, American Gigolo contributed to the rise of the Armani aesthetic in film and fashion, helping to define the sophisticated, minimalist style of the 1980s.
Despite its influence, American Gigolo is not without its flaws. Some critics argue that the film prioritizes style over deeper substance. While Julian is an engaging character, he lacks the psychological complexity of some of Schrader’s other protagonists. Additionally, Lauren Hutton’s character, Michelle, is underdeveloped, serving more as a romantic subplot than a fully realized individual, which weakens the emotional depth of the story.
Another point of criticism is the film’s pacing. While its slow-burn approach allows for atmospheric tension, some viewers may find it sluggish compared to more action-oriented thrillers. The ambiguous nature of the ending also leaves certain plot points unresolved, which may not satisfy those seeking a more conclusive resolution.
Despite its shortcomings, American Gigolo remains a landmark film within the neo-noir genre. Its exploration of themes such as commodification, loneliness, and identity adds depth beyond its sleek exterior. Richard Gere delivers one of his most defining performances, and Paul Schrader’s direction ensures that the film remains visually striking and narratively compelling.
For audiences who appreciate introspective, character-driven storytelling, American Gigolo is a must-watch. While it may not have the same psychological intensity as some of Schrader’s other works, its influence on cinema, fashion, and cultural discourse is undeniable. Whether viewed as an emblem of 1980s excess or a timeless study of human disconnection, American Gigolo continues to captivate audiences decades after its release.
Bonus Materials
- 4K ULTRA HD BLU-RAY SPECIAL EDITION CONTENTS
- 4K remaster from the original negative by Arrow Films
- 4K (2160p) Ultra HD Blu-ray presentation in Dolby Vision (HDR10 compatible)
- Original mono, stereo and 5.1 audio options
- Optional English subtitles for the deaf and hard of hearing
- Audio commentary with film critic Adrian Martin
- Interview with writer/director Paul Schrader
- Six Ways to Sunday, an interview with actor Héctor Elizondo on detecting his character
- The Business of PLEASURE, an interview with actor Bill Duke on Leon’s profession
- Montages and Monologues, an interview with editor Richard Halsey on putting American Gigolo together
- The Non-Conformist, an interview with camera operator King Baggot on American Gigolo
- Man Machine, an interview with music supervisor & KCRW DJ Dan Wilcox on the music of Giorgio Moroder
- American Icon, an interview with Professor Jennifer Clark on American Gigolo and the fashion landscape of the 80s
- Original trailer
- Image gallery
- Reversible sleeve featuring original and newly commissioned artwork by Tommy Pocket