FOLLOWING FILMS

THE FILM The American dream has rarely seemed so far away as in Sean Baker and Shih-Ching Tsou’s raw, vérité TAKE OUT, an immersion in the life of an undocumented Chinese immigrant struggling to get by on the margins of post-9/11 New York City. Facing violent retaliation from a loan shark, restaurant deliveryman Ming Ding has until nightfall to pay back the money he owes, and he encounters both crushing setbacks and moments of unexpected humanity as he races against time to earn enough in tips over the course of a frantic day. From this simple setup, Baker and Tsou fashion a kind of neorealist survival thriller of the everyday, shedding compassionate light on the too often overlooked lives and labor that keep New York running. Following Films Rating ★★★★★☆☆☆☆☆ THE TRANSFER Following Films Rating★★★★★☆☆☆☆☆ SPECIAL FEATURES • New 4K digital restoration, supervised and approved by directors Sean Baker and Shih-Ching Tsou, with uncompressed stereo soundtrack • Audio commentary featuring Ba

Criterion has announced its first 4K Ultra HD releases, a six-film slate that includes Citizen Kane, Menace II Society, The Piano, Mulholland Dr., The Red Shoes, and A Hard Day’s Night. The first of these editions and their special features will be detailed in their November 2021 announcement next week, with others to follow in subsequent months.  The most dazzling debut in cinema history, Orson Welles’s Citizen Kane was Criterion’s first laserdisc release 37 years ago. It now rejoins the library after a long absence, making its first appearance in 4K Ultra HD along with Allen and Albert Hughes’s riveting breakthrough Menace II Society; Jane Campion’s Academy Award–winning The Piano, starring Holly Hunter and Anna Paquin in her breakout role; David Lynch’s Mulholland Dr., a tale of love and jealousy in the city of dreams; Michael Powell and Emeric Pressburger’s singular Technicolor fantasia The Red Shoes; and Richard Lester’s timeless movie musical A Hard Day’s Night, which brought the

On this episode we face unemployment with the help of friends, family, and Marion Cotillard's great performance in the new Criterion Collection release TWO DAYS, ONE NIGHT. Not content with the support of just one film we also look back to 1999's comedy classic (as certified by the Library of Congress) OFFICE SPACE, and rely on a scumbag named Vincent who has some decent driving skills in 2001's TIME OUT. GUEST: Emily Mackay of Movies N' Mayhem attempts to aid us in our butchering of the French language.