A lot of how you respond to Guy Richie’s stylish take on “The Man from U.N.C.L.E.” has to do with what you go in expecting. If you’re anticipating the gadgetry of retro Bond, the action adventure of the “Bourne” franchise, the stunts of “Mission: Impossible” and the bromance of Richie’s “Sherlock Holmes” movies, you will not find much of that here. Nor, if you do a little research, will you find much similarity to the 60s TV show from which the movie takes its name. In comparison to the film adaption of “The Lone Ranger” (which coincidentally also starred Armie Hammer), “U.N.C.L.E.” is not even a smidge as inflammatory or insulting to its source material. Contradictory to the catastrophe that was “Lone Ranger”, “U.N.C.L.E.” presents its send-up with a far more celebratory spirit and its infectious energy keeps the movie afloat, even as it hits the choppy waters of some overused gags that grow tired fast. Set in 1963, the story revolves around rival spies; American CIA agent Na