FOLLOWING FILMS

Danny Elfman and Trent Reznor have joined forces to deliver a brand new version of “True”, one of the standout singles from Elfman’s acclaimed new double album Big Mess [ANTI- / Epitaph Records]. Released today, the reimagined single showcases a sonic collision of two of music’s most iconic artists, melding vocals from Reznor and Elfman with vicious industrial percussion, cinematic piano flares and walls of feedback. Listen to the song now HERE . “This is the first duet/collaboration I’ve ever done in my life, so to do it with Trent was a real surprise and a treat,” says Elfman. “He’s always been a big inspiration to me, not to mention he has one of my all-time favorite singing voices.” Today, Elfman has also debuted a new music video for the reimagined single of “True,” which can be viewed now below. Directed by Aron Johnson, who contributed visual effects to the Sarah Sitkin-directed music video for the album version of “True,” the piece features warped imagery and retro VHS aestheti

When the riotous, confrontational 'last ever' Iggy & the Stooges gig Metallic KO was issued in 1976 on the French indie Skydog label, it heralded the punk movement and cemented Iggy's position in it. Iggy’s career then took off, and a lengthy liaison between Skydog and Iggy Pop continued, with releases through and beyond the Stooges reunion 29 years later. Here are all of the Skydog label's Iggy releases, remastered, in a clam-shell box set containing seven CDs and a DVD – a fitting tribute to the label’s punk pioneer boss Marc Zermati, who passed away in June. Marc started Skydog in 1973, arguably Europe’s first independent rock label, and in the same year that Metallic KO was released he organized the "First Punk Festival" in Mont de Marsan. He worked closely with The Clash, Johnny Thunders, Wilko Johnson, and Chrissie Hynde and many others. Alongside Metallic KO the box includes the two Metallic KO source tape gigs, pitch-corrected after a t

D.O.A., Canada's legendary pioneering punks who set the bar high for punk and basically invented hardcore, are ready to rip it up on the occasion of their 40th anniversary. They have a brand new album called Fight Back and they are embarking on a worldwide tour to support this impressive new effort. The "Men of Action" are ready to take on all opposition and lay down a punk rock path of wild music and free thought. Their rough and ready line up is led by the godfather of Hardcore, Joe Shithead Keithley (guitar, vocals) he is more than ably accompanied by the manic rhythm section of Paddy Duddy (drums) and Corkscrew (bass). Early reviews indicate that Fight Back is the most innovative D.O.A. album since War on 45. D.O.A. has always been right on the pulse of what's going on in our screwed up world. Fight Back deals with what we have left, which in a lot of ways, is not much.  "When you really think about it, income inequality and disparity is at the ro

Today, The Beach Boys release two new digital audio collections worldwide via Capitol/UMe, revealing much more of the legendary band's pivotal 1967 creative work in the studio and onstage. Following the acclaimed 2CD and digital 1967 – Sunshine Tomorrow collection released in June by Capitol//UMe, 1967 – Sunshine Tomorrow 2: The Studio Sessions presents 29 studio session recordings and Live Sunshine – 1967 features 109 live recordings, most of which are previously unreleased. 1967 – Sunshine Tomorrow, 1967 – Sunshine Tomorrow 2: The Studio Sessions, and Live Sunshine – 1967 dive deep into a fascinating and frenetic chapter in The Beach Boys' long, groundbreaking creative arc, exploring the band's dynamic year through their recordings. The Beach Boys have personally overseen the creative process for the three collections, which are produced by Mark Linnet and Alan Boyd. Pitchfork reviewer Jesse Jarnow praised 1967 – Sunshine Tomorrow as "remarkable," saying

This deluxe softcover runs 400 pages, features a foreword by Civ of Gorilla Biscuits, includes a full-color insert, and after is available HERE . This is the latest authoritative and exhaustive leap by Bazillion Points into the vast demi-world of a powerful DIY subculture. Launch events were mobbed at the Sonos NYC store, Bridge 9 Records in Boston, and Hold Fast Records in Asbury Park, NJ, where Tony Rettman sat for a riveting Q&A with Minor Threat's Brian Baker. Starting in 1981 via Minor Threat's revolutionary call to arms, the clean and positive straight edge hardcore punk movement took hold and prospered during the 1980s, earning a position as one of the most durable yet chronically misunderstood music subcultures. Straight edge created its own sound and visual style, went on to embrace vegetarianism, and later saw the rise of a violent militant fringe. As the "don't drink, don't smoke" message spread from Washington, D.C., to Boston, Califor

On this episode we celebrate the end of the 2015 summer movie season with a new to video release, one of my favorite films of not only the summer but the year in LOVE & MERCY. This inspires a conversation with Ben from the Cinematic For the People podcast on the films AMADEUS and I’M NOT THERE. We talk specifically on how both films are unconventional music biopics focusing primarily on identity.

On this episode we talk about two films that were released within the last year that combine romance, music, and the different perspectives two characters bring to those subjects with last summer’s BEGIN AGAIN, and the late winter release of SONG ONE. But first, an even newer release which just hit DVD and Blu-ray is discussed with writer/director Richard Lagravanese on his musical screen adaptation of THE LAST FIVE YEARS.